Turning Zaha Hadid’s Light Philosophy into Real Spaces
Daylight shapes a room in many ways. It gives a space atmosphere, sets a rhythm, and affects how we feel inside it. Architects have been experimenting with light for centuries, each in their own way. One of the most striking examples is Zaha Hadid. Light seemed to move through her buildings, following curves and shapes. In her spaces, it added motion and energy, without ever feeling purely functional.

Light in Zaha Hadid’s Work: Fluidity and Form
For Zaha Hadid, light was always a key force, blurring the line between object and space. Her projects feature fluid forms, smooth lines, and dynamic interiors, where light stirs emotion and movement. Sun Tunnels, in this context, let daylight enter a room in a controlled way, enhancing the flow and motion that are central to her designs.
Architecture as a Conductor of Light
Space becomes a medium for light, setting rhythm and shaping the experience of those within it. In Hadid’s projects, “flowing spaces” feel like continuous tunnels: lines and forms guide the eye, while light glides along curves, shifting in intensity and mood. As a result, it becomes an integral part of the space and directly affects how we perceive it.
Modern technologies such as Sun Tunnels make it possible to put this philosophy into practice, distributing daylight throughout a room and turning it into a visible element of the interior.

Light as Technology: Hadid’s Philosophy in Everyday Life
Sun Tunnels let natural light into living spaces where traditional windows cannot be installed. Sunlight enters through a roof dome and flows down a reflective tube into the room, filling it evenly and giving a natural sense of depth. This setup reflects the fluidity and energy of Hadid’s designs, while also providing natural light and saving energy.
Zaha Hadid’s concept comes to life in Velux Sun Tunnels, turning an abstract philosophy of light into a practical solution. With a sun tunnel installation, you fill the space with new color, light, and airiness.